In their respective novels, The House Behind the Cedars (1900) and
Passing (1929), both Charles Chesnutt and Nella Larsen utilize racial
passing, the process of a mixed-race individual living as "white," to
explore the relations between black and white people during early-twentieth century America. This thesis specifically argues that
Chesnutt...
Ralph Ellison died without ever completing his second novel. After his death, the executor of his literary estate, John F. Callahan, edited Ellison's work into a novel published under the title Juneteenth. This thesis examines the problems posed by Ellison's posthumously released text, especially the issues of authorial intent and...
This thesis is a collection of six essays with interconnecting elements and themes. Two overriding themes which pervade the collection are the search for spiritual wholeness and the relationships between humans and their environments. The essays document my recent explorations of and experimentations with the "creative nonfiction" genre. have worked...
Understanding the impact of humans on the environment has long been a topic of scholarly interest and debate. As environmental problems mount, accounts of historic ecological conditions and the factors of change become increasingly useful. This study considers competing schools of interpretation about human impacts on ecological landscapes and develops...
This thesis is an exploration of how male trickster figures operate in the Gothic fiction of 20th century American female authors. Specifically, I look at the short stories “The Daemon Lover” by Shirley Jackson, “Good Country People” by Flannery O’Connor, and “Where Are You Going, Where Have You Been?” by...
In this project, I explore the use of monomania as a literary and rhetorical device that pathologizes deviance from certain norms—in this case, sexual and political norms— and allows for contradiction, dissonance, and reform. Using Nathaniel Hawthorne’s short story “The Birthmark” and Edmund Clarence Stedman’s poem “How Old Brown Took...
This project examines the production histories of two films that Alfred Hitchcock directed, his Hollywood debut Rebecca (1940) and the memorable Psycho (1960). The first chapter explores how Hitchcock succeeded and failed at influencing the picture as he, despite directing the movie, had to follow the vision that his producer,...
The question of deep time has been widely debated in the field of American Literature, with scholar Wai Chee Dimock arguing that a deep time perspective puts the chronology of different nations against one another. However, this argument has not adequately addressed the issue of how deep time theories would...
This thesis explores the artistic imperatives and internal struggles of women painters in two novels, Kate Chopin's The Awakening (1899) and Virginia Woolf's To the Lighthouse (1927). I identify Chopin's Edna Pontellier and Woolf’s Lily Briscoe as painters who exhibit Impressionist strains, both in how they paint and how they...
This thesis takes an auteurist approach to the films of director Terrence Malick by reading them through the spiritual philosophy of Ralph Waldo Emerson. I establish Malick's thematic concern with the human struggle to achieve better existences in a broken material world, a concern buoyed by his signature aesthetic that...