Thomas Stearns Eliot’s 1922 modernist poem The Waste Land presents itself as an alternative to the decaying society Eliot found himself inhabiting. It begins as a personal means of pulling together one’s fragmented consciousness, but in doing so Eliot manages to present a solution to a world of selfishness—looking beyond...
This thesis primarily investigates nonhumans in the writings of 12th century historians. Where these writings may typically be seen as having little room for nonhuman agency, this thesis investigates how divinity, as an important part of medieval life, creates a space for nonhuman agency that is otherwise overlooked. In chapter...
This thesis examines the characterization of the femme fatale and the implications of this trope for late-Victorian gender and sexuality in the ghost stories of female aesthete Vernon Lee. In her treatment of the femme fatale figure, Lee both reinforces and complicates the image of the sexualized, often bestialized woman...
At first glance, Edgar Rice Burroughs's wildly popular romantic fantasy novel, Tarzan of the Apes (1912), and Charlotte Perkins Gilman's feminist science fiction-utopian novel, Herland (1915), with its dystopian companion, With Her in Ourland (1916), may appear to have little in common. Tarzan celebrates the human connection with wild nature...
This thesis analyzes two Victorian fairy tales that feature queer endings, or endings that offer alternatives to the heteronormative fairy-tale tradition that idealizes heterosexual marriage and the biological family. In both George MacDonald’s The Wise Woman (1875) and E. Nesbit’s “The Island of the Nine Whirlpools” (1901), I argue that...
This thesis pursues a flexible understanding and definition of
dis/ability as a broadly and liberally applied mark of stigma. It asks questions that develop a deeper understanding of how disability influences mētis, a knowledge or cunning use of the body. Through this framework of mētis, this thesis explores technologies as...
Monstrous beings, or distortions of nature, were a tangible object of fear in the medieval and early modern eras. Aristotle, as a precursor to the scientists and magical practitioners of the twelfth century or the barber-surgeons of the sixteenth century, understood monsters to be human or animal beings deformed by...
In this thesis I examine the ideological mechanisms that work to constitute, construct, and maintain subject identity. Such mechanisms include repetition, performativity, identification, and interpellation. I incorporate structuralist, post-structuralist, and psychoanalytic theories as a means to discuss the ways in which gender, sexuality, and identity are performative masquerades. Furthermore, these...
In this thesis, I use modern concepts of feminism, gender performativity, and psychoanalysis as a means to understand female characters and authors of Renaissance England in a new way. In my first article, I analyze various texts and performances of Queen Elizabeth I, as well as texts of Renaissance female...
Sixteenth century Elizabeth I of England has long been a figure of interest to Renaissance scholars, and their work largely focuses on how her gender impacted the power, politics, and culture of her day. Many have perceived her to be a heroine whose ingenuity and determination circumvented the limitations imposed...