http://hdl.handle.net/1957/24915 2013-05-23T11:51:07Z 2013-05-23T11:51:07Z Carroll, Carleton W. http://hdl.handle.net/1957/34044 2012-10-03T16:02:06Z 2011-07-28T00:00:00Z

Un manuscrit problématique d’Erec et Enide Carroll, Carleton W.

2011-07-28T00:00:00Z Yu, Shiao-ling http://hdl.handle.net/1957/25205 2011-11-04T17:14:40Z 1983-12-01T00:00:00Z

Voice of Protest: Political Poetry in the Post-Mao Era Yu, Shiao-ling Poetry in the People's Republic of China during the past 30 years has been dominated by works intensely political in nature – a kind of poetry known by the name zhengzhi shuqing shi (political lyric). The function of this poetry was to eulogize current political movements and to generate public support for them. This phenomenon reached its height during the xin minge yundong (New Folksong Movement) of 1958 when millions of peasants were mobilized to write poetry to praise the Great Leap Forward and the people's commune. Even when the Great Leap backfired and a widespread famine ensued, poetry was still boasting of “commune members piling rice all the way to the sky.” The Great Proletarian Cultural Revolution (1966–76) proved a greater disaster than the Great Leap Forward, hence, the greater need for poetry to supply optimism. It was also a time of personality cult and xiandai mixin (modern superstition); poetry was therefore obliged to provide eulogies. To meet these demands, large quantities of what poet Gong Liu called “huanhu shi” (hail-to-the-chief poems) flooded the market. Many of them were considered to be little more than “rhymed lies.” http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=3545476&fulltextType=RA&fileId=S0305741000024395

1983-12-01T00:00:00Z Min, Su Lai, Zuo Yu, Shiao-ling http://hdl.handle.net/1957/25034 2011-11-03T22:54:04Z 2003-01-01T00:00:00Z

A Chinese Director's Theory of Performance: on Jiao Juyin's System of Directing Min, Su; Lai, Zuo; Yu, Shiao-ling This translation consists of excerpts from a book on Jiao Juyin, who was a distinguished director of Chinese spoken drama. The selections translated here highlight Jiao's two principal theories: the Theory of Mental Images and "On Nationalizing Spoken Drama." The first represents his adaptation of the Stanislavsky system; the second outlines his ideas for integrating Western realistic drama, which gave birth to Chinese spoken drama, with the techniques and aesthetic principles of traditional Chinese opera.

2003-01-01T00:00:00Z Yu, Shiao-ling http://hdl.handle.net/1957/25021 2011-11-07T21:43:14Z 2004-01-01T00:00:00Z

Sacrifice to the Mountain: a Ritual Performance of the Qiang Minority People in China Yu, Shiao-ling In 2002, a group of Qiang in China's Sichuan Province performed an ancient ritual combining the sacred and the secular. This ritual remains an integral part of the Qiang people's religious and social lives.

2004-01-01T00:00:00Z