The decorated saddle blankets that are part of many museum collections
are a distinctive facet of Native American culture. They exhibit the
craftsmanship and artistic merit that characterize the Plains art style. This study
examines decorated saddle blankets from three viewpoints.
An historical overview suggests that although the horse and horsegear
originated with Spanish occupation of the New World, the Plains decorated
saddle blanket was an indigenous innovation. Available literary and pictorial
information for Hispanic horsegear indicate that Spanish traditions of
decoration did not include saddle blankets of the types found among Plains
peoples.
Saddle blankets are examples of the material culture of the Plains. In
this respect they have been examined in terms of materials, construction,
decoration, and use. Verbal and pictorial information, as well as extant
examples provided information. Saddle blankets exhibit characteristics of
shape and decorative style that are related to region and specific groups. They
used both native and introduced materials and techniques. With some
exceptions, they appear to have been made by and for women. As works of art, saddle blankets are part of a tradition that stressed the
importance of the horse to Plains culture and used horse decoration to provide
social messages about the rider to onlookers. This tradition included gender
specific art styles, elaborate horse gear as a sign of wealth and generosity, and
personal skill as a means of acquiring prestige. Decorated blankets are an
example of a functional object achieving artistic value, alone and in
combination with other objects.