Abstract:
The post-election violence in the aftermath of Iran’s 2009 presidential
election was viewed through the lens of new, social media. New media
publishers created and supported a movement, and in the process they wove
a national struggle into the global media landscape. This exploration places
Twitter in the context of other historically oppositional narratives, notably
pamphleteering during the American Revolution, samizdat publishing in the
Soviet Union, and Iran’s 1979 Revolution, when cassette tapes played the role
Twitter would take on thirty years later. It explores the role new media plays
in convergence culture and explains the workings, effectiveness, and
downsides of relying on those mediums to spread dissident messages.