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Filtering by: Subject Joyce, James, 1882-1941. Portrait of the artist as a young man

Form Fits Content in A Portrait of the Artist as a Young Man

Creator:

Hogan, James Joseph

Abstract:

In A Portrait of the Artist as a Young Man, James Joyce used the form or structure of his language to connote a meaning which supported the content of the text. The elements of form he used most often were sentence and paragraph structure, punctuation, rhythm, and classical rhetorical schemes....

Resource Type:

Masters Thesis

Full Text:

A Portrait of the Artist as a Young Man. Joyce wrote the original of approximately one thousand
Confessing Ireland : the colonial politics of Irish Catholicism in James Joyce's A portrait of the artist as a young man

Creator:

Rathert, Gregory S.

Abstract:

Ireland's Catholic Church played an important role in the turn-of-the-century nationalism that shaped James Joyce's identity and writing; yet it also played an important part in preventing that nationalism from achieving its goals of autonomy and cultural independence. For Joyce, this was particularly evident in the dialects and thought structures...

Resource Type:

Masters Thesis

Full Text:

Portrait of the Artist as a Young Man." Budgen later would add that Joyce "underlined with his voice the
James Joyce's critique of "Faubourg Saint Patrice" : Ulysses, the Catholic Panopticon, and religious dressage

Creator:

Nelson, John C. M.

Abstract:

In his works, A Portrait of the Artist as a Young Man (1916) and Ulysses (1922), James Joyce demonstrates what he perceives to be the paralyzing effects of those institutionalized religions that sit at the center of cultures. Drawing on Michel Foucault's analysis of institutional dressage as well as his...

Resource Type:

Masters Thesis

Full Text:

: Neil R. Davison In his works, A Portrait of the Artist as a Young Man (1916) and Ulysses (1922