In this thesis, I use modern concepts of feminism, gender performativity, and psychoanalysis as a means to understand female characters and authors of Renaissance England in a new way. In my first article, I analyze various texts and performances of Queen Elizabeth I, as well as texts of Renaissance female...
Monstrous beings, or distortions of nature, were a tangible object of fear in the medieval and early modern eras. Aristotle, as a precursor to the scientists and magical practitioners of the twelfth century or the barber-surgeons of the sixteenth century, understood monsters to be human or animal beings deformed by...