In A Portrait of the Artist as a Young Man, James Joyce used
the form or structure of his language to connote a meaning which
supported the content of the text. The elements of form he used
most often were sentence and paragraph structure, punctuation,
rhythm, and classical rhetorical schemes....
In his works, A Portrait of the Artist as a Young Man (1916) and Ulysses
(1922), James Joyce demonstrates what he perceives to be the paralyzing effects of
those institutionalized religions that sit at the center of cultures. Drawing on Michel
Foucault's analysis of institutional dressage as well as his...
My thesis examines a total of fourteen characters from The Portrait of a Lady and The Turn of the Screw. Primarily, I have discovered an overwhelming pattern in these two works by Henry James; when characters make direct entrances--that is when they are not described or discussed in absentia by...
Ireland's Catholic Church played an important role in the turn-of-the-century nationalism that shaped James Joyce's identity and writing; yet it also played an important part in preventing that nationalism from achieving its goals of autonomy and cultural independence. For Joyce, this was particularly evident in the dialects and
thought structures...
Traditional interpretations of James Joyce's Dubliners have often focused on the pervasive "paralysis" of the city, covered in the stories' range of "childhood, adolescence, maturity, and public life." However, these approaches have limited their focus on the women in the stories, often spotlighting the male characters--and the author--through a Freudian...
Author Nella Larsen and photographer James VanDerZee are two of the most canonical figures of Harlem Renaissance studies, whose respective novels and portraits have been explored extensively, if separately, by scholars. Both Larsen's 1929 novel Passing and VanDerZee's studio portraiture of the 1920s and 1930s have been read in terms...