Index Catalog // ScholarsArchive@OSU

Creator:: Heiduschke, Sebastian
Abstract:: Directing feature films in the GDR was largely a male-dominated profession. One of the few female directors was Iris Gusner, whose films explored issues working GDR women faced in their everyday lives. A close reading of her 1984 feature film Kaskade Rückwärts, in particular the focus on sound and on...
Resource Type:: Article
Full Text:: replies, “[i]f it is not too late then,” suggesting that she is considering sleeping with her

Creator:: Heiduschke, Sebastian
Abstract:: Directing feature films in the GDR was largely a male-dominated profession. One of the few female directors was Iris Gusner, whose films explored issues working GDR women faced in their everyday lives. A close reading of her 1984 feature film Kaskade Rückwärts, in particular the focus on sound and on...
Resource Type:: Article
Full Text:: replies, “[i]f it is not too late then,” suggesting that she is considering sleeping with her

Creator:: Heiduschke, Sebastian
Abstract:: For more than a decade, feature films produced by the GDR film company DEFA have been popular items in Germany. I analyze these films as commodities, arguing that this success by DEFA cinema needs to be read in conjunction with clever marketing strategies employed by the nonprofit foundation DEFA-Stiftung and...
Resource Type:: Article
Full Text:: . I analyze these films as commodities, argu- ing that this success by DEFA cinema needs to be read

Creator:: Yu, Shiao-ling
Abstract:: Poetry in the People's Republic of China during the past 30 years has been dominated by works intensely political in nature – a kind of poetry known by the name zhengzhi shuqing shi (political lyric). The function of this poetry was to eulogize current political movements and to generate public...
Resource Type:: Article
Full Text:: Protest: Political Poetry in the Post- Mao Era* Shiao-ling Yu I Poetry in the People's Republic of

Creator:: Yu, Shiao-ling and Yu, Nick Rongjun
Abstract:: Yutian (Cry to Heaven) is the third Chinese stage adaptation of Harriet Beecher Stowe’s novel Uncle Tom’s Cabin between 1907 and 2007. The first, Heinu yutian lu (Black Slave’s Cry to Heaven) by Zeng Xiaogu, was staged by Chinese students in Tokyo in 1907; the second, Heinu hen (Regret of...
Resource Type:: Article
Full Text:: . . . . (She comes to.) legree: (Lifts emmeline) Don’t be afraid. Just do as I say, and you can expect

Creator:: Heiduschke, Sebastian
Abstract:: This article examines the strategies used by directors of the East German film monopoly Deutsche Film-Aktiengesellschaft (DEFA) to voice their disapproval of the Berlin Wall.1 My aim is to show how it was possible, despite universal censorship in East Germany, to create films that addressed the wall as an inhumane...
Resource Type:: Article
Full Text:: Christa Wolf’s novel of the same title, and she wrote the screenplay as well. The story centers on the

Creator:: Min, Su, Lai, Zuo, and Yu, Shiao-ling
Abstract:: This translation consists of excerpts from a book on Jiao Juyin, who was a distinguished director of Chinese spoken drama. The selections translated here highlight Jiao's two principal theories: the Theory of Mental Images and "On Nationalizing Spoken Drama." The first represents his adaptation of the Stanislavsky system; the second...
Resource Type:: Article
Full Text:: guan h (Teahouse) and Guo Moruo’s i historical plays, as well as the actors he trained all helped BPAT

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