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Filtering by: Advisor Betjemann, Peter J. Decade 2010-2019 Degree Name Master of Arts (M.A.) Non-Academic Affiliation Oregon State University. Graduate School

ScholarsArchive@OSU

Rational Madmen : Monomania in Hawthorne’s “The Birthmark” and Stedman’s “How Old Brown Took Harpers Ferry”

Vibrant colors, transient shadows : woman artists and the brushstrokes of impressionist sensibility in Kate Chopin's The Awakening and Virginia Woolf's To the Lighthouse

Houses of fiction, houses of confinement : character introductions, autonomy, and domestic spaces in two works by Henry James

Wild nature or the garden : conservation themes in the forests of Tarzan and Herland/Ourland

Bright lights, big city : electrified female desire in Edith Wharton and Theodore Dreiser

American identity at a crossroads : Cotton Mather's Wonders of the Invisible World

Radical/domestic : representations of the professor in Willa Cather's The Professor's House and Vladimir Nabokov's Pnin

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