Hypermediation, as described by Jay Bolter and Richard Grusin in their book Remediation, is a style of writing, recording, presenting, etc. that “makes us aware of the medium or media and (in sometimes subtle and sometimes obvious ways) reminds us of our desire for immediacy” (34). This mode of production...
This thesis employs the study of gender to demonstrate how recent Hollywood
western films have constructed a hero that is reflective of contemporary beliefs
regarding masculinity. Beginning with a New Historicist approach at studying gender,
this work first considers the construction of masculinity in post World War II America
and...
In this thesis I argue that Cormac McCarthy's 1985 novel Blood Meridian serves as a critique of the American Western mythos by collapsing aspects of myth, ideology, and the sublime into the question of violence's relationship to language. In explicating the novel, I demonstrate how the ironies staged between the...
As the necessity grows for undergraduate English teachers to incorporate various multimodal texts into their course material due to the changing landscape of what is considered English studies, comics can be an increasingly viable source for such texts. This thesis introduces several formal qualities of comics available for teachers to...
This thesis takes an auteurist approach to the films of director Terrence Malick by reading them through the spiritual philosophy of Ralph Waldo Emerson. I establish Malick's thematic concern with the human struggle to achieve better existences in a broken material world, a concern buoyed by his signature aesthetic that...
This thesis is a study of Herman Melville’s symbolism. I have chosen to investigate the elemental images of water, fire, and stone in Moby-Dick (1851), Pierre; Or, The Ambiguities (1852), and Clarel; A Poem and Pilgrimage in the Holy Land (1876). This work is a semiotic study, insofar as the...
My thesis explores the poetry of Samuel Taylor Coleridge and William Wordsworth as emblematic of Western philosophy and literature's longstanding preoccupation with the relationship between mind and matter. The poets' attempts to mediate their languages and sensibilities with "real nature" have a complicated legacy for today's readers, as Romantic literature...
This thesis is an exploration of Catch-22 (1961) and Slaughterhouse-Five (1969), two early documents of American postmodern literature. In particular, this thesis attempts to present the critical discussions surrounding each novel as parallel to the broader theoretical discussions surrounding the concept of postmodernism. My contention is that, in both of...
This thesis examines the postmodern confrontation of representation throughout the oeuvre of Martin McDonagh. I particularly look to his later body of work, which directly and self-reflexively confronts issues of artistic representation & masculinity, in order to gain a more nuanced understanding of his earliest and most controversial plays. In...
This thesis examines two cultural productions of the Harlem Renaissance: Aaron Douglas's mural series, Aspects of Negro Life, and Nella Larsen's novel Passing. I read these works together because, more than their shared time period, they showcase an attention to the visual. Both Larsen and Douglas's works are concerned with...