Thomas Stearns Eliot’s 1922 modernist poem The Waste Land presents itself as an alternative to the decaying society Eliot found himself inhabiting. It begins as a personal means of pulling together one’s fragmented consciousness, but in doing so Eliot manages to present a solution to a world of selfishness—looking beyond...
This thesis is based on a two-part study that analyzes the cultural and linguistic characteristics of the Hawaii student population at Oregon State University (OSU). I designed and conducted a survey among Hawaii students at OSU. Then I interviewed ten Hawaii students who self-identified as Hawaii Creole English (a.k.a. Pidgin)...
In the months preceding the 2016 presidential election and during the Trump presidency, rhetoric, composition, and communications scholars expressed an urgent concern about the threat that Trump and his political affiliates posed to the status of truth in political life (McComiskey; Rice; Harsin; Cloud). However, the conversations surrounding the discipline’s...
Virginia Woolf was a self-proclaimed atheist, yet her fictional and personal writing
reveal her ecstatic consciousness. Characters in Woolf s novels experience ecstasy, and
her letters and diaries support the theory that she herself had experienced ecstatic
consciousness. Major figures in the philosophy of religion assert that ecstatic
consciousness is...
I am a woman who writes. I am a writer who is a woman. In the Words
of a Woman is an exploration of how these two facts of my life merge and
influence each other. It is a work written to mediate between the supposed
dichotomies of creative and...
A prevalent belief during the Victorian age was that the world was divided between inferior beings governed by passion and superior reasoning beings. On the political level, this idea separated inferior passion-driven natives from superior reasoning Europeans. This division contributed to the maintenance and expansion of imperialist rule in distant...
This thesis is arranged in three main chapters, each of which focuses on a particular type of Anaїs Nin text, and each of which is intended to enlarge Nin's complexities through distinct but overlapping perspectives. The idea connecting these three chapters is that Nin, who has been radically misrepresented by...
This thesis uses both feminist and new historic theories to argue that the women's romance novels The Last September (1929) by Elizabeth Bowen and The Country Girl's Trilogy (1960, 1962, 1964) by Edna O'Brien are tragic bildungsroman that subvert and challenge the Irish patriarchal marriage expectations of their respective time...