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James Joyce's critique of "Faubourg Saint Patrice" : Ulysses, the Catholic Panopticon, and religious dressage

Creator:: Nelson, John C. M.
Abstract:: In his works, A Portrait of the Artist as a Young Man (1916) and Ulysses (1922), James Joyce demonstrates what he perceives to be the paralyzing effects of those institutionalized religions that sit at the center of cultures. Drawing on Michel Foucault's analysis of institutional dressage as well as his...
Resource Type:: Masters Thesis
Full Text:: James Joyce's critique of "Faubourg Saint Patrice" : Ulysses

'That life of commonplace sacrifices' : representations of womanhood in Irish Catholic culture in James Joyce's Dubliners

Creator:: McGrory, Suzette L.
Abstract:: Traditional interpretations of James Joyce's Dubliners have often focused on the pervasive "paralysis" of the city, covered in the stories' range of "childhood, adolescence, maturity, and public life." However, these approaches have limited their focus on the women in the stories, often spotlighting the male characters--and the author--through a Freudian...
Resource Type:: Masters Thesis
Full Text:: womanhood in Irish Catholic culture in James Joyce's Dubliners AN ABSTRACT OF THE THESIS OF Suzette L

Confessing Ireland : the colonial politics of Irish Catholicism in James Joyce's A portrait of the artist as a young man

Creator:: Rathert, Gregory S.
Abstract:: Ireland's Catholic Church played an important role in the turn-of-the-century nationalism that shaped James Joyce's identity and writing; yet it also played an important part in preventing that nationalism from achieving its goals of autonomy and cultural independence. For Joyce, this was particularly evident in the dialects and thought structures...
Resource Type:: Masters Thesis
Full Text:: Colonial Politics of Irish Catholicism in James Joyce's A Portrait of the Artist as a Young Man Abstract

Under the Shadow of this Red Rock: Reading T. S. Eliot’s The Waste Land for its Places, Persons, and Poetics

Creator:: Summers, Stephen James
Abstract:: Thomas Stearns Eliot’s 1922 modernist poem The Waste Land presents itself as an alternative to the decaying society Eliot found himself inhabiting. It begins as a personal means of pulling together one’s fragmented consciousness, but in doing so Eliot manages to present a solution to a world of selfishness—looking beyond...
Resource Type:: Honors College Thesis
Full Text:: Stephen James Summers for the degrees of Honors Baccalaureate of Arts in English and Honors Baccalaureate

Form Fits Content in A Portrait of the Artist as a Young Man

Creator:: Hogan, James Joseph
Abstract:: In A Portrait of the Artist as a Young Man, James Joyce used the form or structure of his language to connote a meaning which supported the content of the text. The elements of form he used most often were sentence and paragraph structure, punctuation, rhythm, and classical rhetorical schemes....
Resource Type:: Masters Thesis
Full Text:: Artist as a Young Man, James Joyce used the form or structure of his language to connote a meaning which

Responsible pedagogy : (re)framing contemporary educational theory and American cultural politics

Creator:: Rust, Stephen
Abstract:: Responsible Pedagogy is examination of contemporary education in the United States. Responsible educators are dedicated to being representative, responsive, and respectful. These three principles guide the best teaching and learning that are taking place in classrooms across the country. Launched in 2003, Shakespeare in American Communities is the most ambitious...
Resource Type:: Masters Thesis
Full Text:: AN ABSTRACT OF THE THESIS OF Stephen Rust for the degree of

"Present fears" and "Horrible Imaginings" : Gothic elements in Shakespearean Tragedy

Creator:: Appel, Ian S.
Abstract:: Gothic literary works are characterized as such by their ability to represent and evoke terror. The form this representation takes is varied; often terror originates in the atmospheric effects of settings, in the appearance of mysterious, supposedly supernatural phenomena, and, perhaps most significantly, in the behavior of villainous characters. Shakespearean...
Resource Type:: Masters Thesis
Full Text:: disturbing tragedies: Macbeth, King Lear and Titus Andronicus. All three of these texts represent terror in

Narrative frames and the works of John Coltrane

Creator:: Duncan, James Bryan
Abstract:: In Culture and Imperialism, Said illustrates that we have no "autonomous cultural forms," but rather "impure" ones that are the products of historically "discrepant experiences." American culture has an interesting relationship with the history of imperialism. The Europeans that settled the U.S. imported slave labor to assist in the growth...
Resource Type:: Masters Thesis
Full Text:: ABSTRACT OF THE THESIS OF James Bryan Duncan for the degree of Master of Arts in English presented on May

From the encoded to the explicit in the 20th Century Irish romance : a study of Elizabeth Bowen's The last September and Edna O'Brien's The country girl's trilogy

Creator:: Breeden, Shobana L.
Abstract:: This thesis uses both feminist and new historic theories to argue that the women's romance novels The Last September (1929) by Elizabeth Bowen and The Country Girl's Trilogy (1960, 1962, 1964) by Edna O'Brien are tragic bildungsroman that subvert and challenge the Irish patriarchal marriage expectations of their respective time...
Resource Type:: Masters Thesis
Full Text:: of readers begin, with James Joyce and Dubliners. The modernism he uses to portray Gabriel’s

The Word Made Flesh: Molly Bloom’s Political Body

Creator:: Dennon, Anne
Abstract:: The century since James Joyce published Ulysses has been an era of incredible social reconfiguration, particularly for women’s roles and rights, which Joyce foreshadowed in his major works. The developments and divisions of feminist theory ultimately return to Joyce as an author who attempted an early example of what might...
Resource Type:: Research Paper
Full Text:: , letter to Frank Budgen, 16 August 1921 The century since James Joyce published Ulysses has been an

ScholarsArchive@OSU

James Joyce's critique of "Faubourg Saint Patrice" : Ulysses, the Catholic Panopticon, and religious dressage

'That life of commonplace sacrifices' : representations of womanhood in Irish Catholic culture in James Joyce's Dubliners

Confessing Ireland : the colonial politics of Irish Catholicism in James Joyce's A portrait of the artist as a young man

Under the Shadow of this Red Rock: Reading T. S. Eliot’s The Waste Land for its Places, Persons, and Poetics

Form Fits Content in A Portrait of the Artist as a Young Man

Responsible pedagogy : (re)framing contemporary educational theory and American cultural politics

"Present fears" and "Horrible Imaginings" : Gothic elements in Shakespearean Tragedy

Narrative frames and the works of John Coltrane

From the encoded to the explicit in the 20th Century Irish romance : a study of Elizabeth Bowen's The last September and Edna O'Brien's The country girl's trilogy

The Word Made Flesh: Molly Bloom’s Political Body

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