Index Catalog // ScholarsArchive@OSU

Sound and death in John Haines's poetry

Creator:: Noble, Darren L.
Abstract:: Poet John Haines is best known for his first book of poetry, Winter News, which was published in 1966. The book contains poems about the Alaskan landscape that surrounded Haines during his many years of living in Richardson, Alaska. The recurring motifs in his poems include hunting, trapping, the Arctic...
Resource Type:: Masters Thesis
Full Text:: reviewing this paper as committee members: Elizabeth Campbell and David Robinson of the English Department

Vibrant colors, transient shadows : woman artists and the brushstrokes of impressionist sensibility in Kate Chopin's The Awakening and Virginia Woolf's To the Lighthouse

Creator:: Kondrack, Kayleen Rose
Abstract:: This thesis explores the artistic imperatives and internal struggles of women painters in two novels, Kate Chopin's The Awakening (1899) and Virginia Woolf's To the Lighthouse (1927). I identify Chopin's Edna Pontellier and Woolf’s Lily Briscoe as painters who exhibit Impressionist strains, both in how they paint and how they...
Resource Type:: Masters Thesis
Full Text:: , Elizabeth Sheehan, David Robinson, and Janet Lee for serving on my thesis committee; thank you so much for

Rational Madmen : Monomania in Hawthorne’s “The Birthmark” and Stedman’s “How Old Brown Took Harpers Ferry”

Creator:: Green, Paisley
Abstract:: In this project, I explore the use of monomania as a literary and rhetorical device that pathologizes deviance from certain norms—in this case, sexual and political norms— and allows for contradiction, dissonance, and reform. Using Nathaniel Hawthorne’s short story “The Birthmark” and Edmund Clarence Stedman’s poem “How Old Brown Took...
Resource Type:: Masters Thesis
Full Text:: : ______________________________________________________ Peter J. Betjemann In this project, I explore the use of monomania as a literary and

An autumn journey : time, place, and pattern in Henry David Thoreau's later work

Creator:: Dotterman, Anthony Matthew
Abstract:: This thesis situates a discussion of Thoreau's later natural history essays in the context of the author's other writings. Beginning with an examination of the writings of Thoreau's friend and mentor Ralph Waldo Emerson, this paper examines Thoreau's relation to and departure from Emerson's understanding of time, place, and pattern...
Resource Type:: Masters Thesis
Full Text:: . and Pattern in Henry David Thoreau's Later Work. Abstract approved: David Robinson This thesis

Houses of fiction, houses of confinement : character introductions, autonomy, and domestic spaces in two works by Henry James

Creator:: Killips, Lisa M.
Abstract:: My thesis examines a total of fourteen characters from The Portrait of a Lady and The Turn of the Screw. Primarily, I have discovered an overwhelming pattern in these two works by Henry James; when characters make direct entrances--that is when they are not described or discussed in absentia by...
Resource Type:: Masters Thesis
Full Text:: Works by Henry James Abstract approved: Peter J. Betjemann David M. Robinson My thesis examines a

From the encoded to the explicit in the 20th Century Irish romance : a study of Elizabeth Bowen's The last September and Edna O'Brien's The country girl's trilogy

Creator:: Breeden, Shobana L.
Abstract:: This thesis uses both feminist and new historic theories to argue that the women's romance novels The Last September (1929) by Elizabeth Bowen and The Country Girl's Trilogy (1960, 1962, 1964) by Edna O'Brien are tragic bildungsroman that subvert and challenge the Irish patriarchal marriage expectations of their respective time...
Resource Type:: Masters Thesis
Full Text:: of Elizabeth Bowen’s The Last September and Edna O’Brien’s The Country Girls Trilogy

"'I wouldn't have believed it -- even of a white man'" : critiquing whiteness in Charles Chesnutt's "The house behind the cedars" and Nella Larsen's "Passing"

Creator:: Franks, Tricia May
Abstract:: In their respective novels, The House Behind the Cedars (1900) and Passing (1929), both Charles Chesnutt and Nella Larsen utilize racial passing, the process of a mixed-race individual living as "white," to explore the relations between black and white people during early-twentieth century America. This thesis specifically argues that Chesnutt...
Resource Type:: Masters Thesis
Full Text:: members, particularly Dr. Michele Birnbaum and Dr. David Robinson for their continued professional and

Advocates Empowered : Queering the Contemporary Movement Against Sexual and Domestic Violence.

Creator:: Shelton, Samuel Z.
Abstract:: While the contemporary movement against sexual and domestic violence has roots in radical, feminist theory and anti-state, community-based modes of resistance, over the past several decades, advocates and activists have increasingly turned to corporations and the state for support through the non-profit, prison, and medical industrial complexes. This acceptance of...
Resource Type:: Masters Thesis
Full Text:: ABSTRACT OF THE THESIS OF Samuel Z. Shelton for the degree of Master of Arts in Women, Gender, and

Water, fire, and stone : images and meaning in Melville

Creator:: Martin, Brian D.
Abstract:: This thesis is a study of Herman Melville’s symbolism. I have chosen to investigate the elemental images of water, fire, and stone in Moby-Dick (1851), Pierre; Or, The Ambiguities (1852), and Clarel; A Poem and Pilgrimage in the Holy Land (1876). This work is a semiotic study, insofar as the...
Resource Type:: Masters Thesis
Full Text:: approved: ____________________________________________________________________ David M. Robinson

Radical centrism : The Bakatcha Bandit, Emook, and the hope of the riparian

Creator:: Scruton, Evan
Abstract:: In 1965 Malcolm X said that we are living in a time of extremism. People in power have misused it now there has to be a change, and a better world has to be built, and the only way it's going to be built is with extreme methods. And I,...
Resource Type:: Masters Thesis
Full Text:: : ______________________________________________________ David M. Robinson In 1965 Malcolm X said that "we are living in a time of extremism

ScholarsArchive@OSU

Sound and death in John Haines's poetry

Vibrant colors, transient shadows : woman artists and the brushstrokes of impressionist sensibility in Kate Chopin's The Awakening and Virginia Woolf's To the Lighthouse

Rational Madmen : Monomania in Hawthorne’s “The Birthmark” and Stedman’s “How Old Brown Took Harpers Ferry”

An autumn journey : time, place, and pattern in Henry David Thoreau's later work

Houses of fiction, houses of confinement : character introductions, autonomy, and domestic spaces in two works by Henry James

From the encoded to the explicit in the 20th Century Irish romance : a study of Elizabeth Bowen's The last September and Edna O'Brien's The country girl's trilogy

"'I wouldn't have believed it -- even of a white man'" : critiquing whiteness in Charles Chesnutt's "The house behind the cedars" and Nella Larsen's "Passing"

Advocates Empowered : Queering the Contemporary Movement Against Sexual and Domestic Violence.

Water, fire, and stone : images and meaning in Melville

Radical centrism : The Bakatcha Bandit, Emook, and the hope of the riparian

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