My thesis explores the later work of author J.D. Salinger, including two narratives featured in Nine Stories, "A Perfect Day for Bananafish," and "Teddy," and Franny and Zooey, "Raise High the Roof Beam, Carpenters," and "Seymour: an Introduction." Through my analysis I argue that the religious nature of Salinger's fiction...
Post World War II victory culture and its fallout-the consensus ideology-led to the creation of a middle class willing to conform to a prescribed set of ideals, safely removed from all danger, and enjoying the material benefits of a growing middle-class income bracket. Walt Disney and Hugh Hefner, two seemingly...
My thesis examines a total of fourteen characters from The Portrait of a Lady and The Turn of the Screw. Primarily, I have discovered an overwhelming pattern in these two works by Henry James; when characters make direct entrances--that is when they are not described or discussed in absentia by...
This thesis is arranged in three chapters which explore Wharton’s representations of nature in three novels: The House of Mirth (1905), The Fruit of the Tree (1907), and The Custom of the County (1913). This thesis contends that Wharton’s novels reveal changes in the interplay between representations of nature and...
At first glance, Edgar Rice Burroughs's wildly popular romantic fantasy novel, Tarzan of the Apes (1912), and Charlotte Perkins Gilman's feminist science fiction-utopian novel, Herland (1915), with its dystopian companion, With Her in Ourland (1916), may appear to have little in common. Tarzan celebrates the human connection with wild nature...
Over the past fourteen years since the attacks on the World Trade Center on September 11, 2001, Americans of varied political persuasions have continually identified the day as a defining moment in the history of the nation, which caused a rupture in the cultural rhythm and psyche. This sensibility is...
This thesis explores the artistic imperatives and internal struggles of women painters in two novels, Kate Chopin's The Awakening (1899) and Virginia Woolf's To the Lighthouse (1927). I identify Chopin's Edna Pontellier and Woolf’s Lily Briscoe as painters who exhibit Impressionist strains, both in how they paint and how they...